Internet Movie Rescue! Fort Apache, the Bronx (1981)

By RM

https://ok.ru/video/7118113540774

N.S.: You have to hit the link, and go to the russian site. I can't set it up to play here.

The WEJB/NSU Theater, 1896-1981:

The Haunted Castle: George Melies (1896)

Georges Méliès’ A Trip to the Moon (1902);

The Great Train Robbery (1903);

The Wizard of Oz (1910);

C.B. DeMille’s The Squaw Man (1914);

D.W. Griffith’s The Birth of a Nation (1915);

D.W. Griffith’s Intolerance: Love’s Struggle Through the Ages (1916);

Harry Carey and John “Jack” Ford’s Straight Shooting (1917), the First Feature-Length, “Cheyenne Harry” Western;

Charlie Chaplin’s Shoulder Arms (1918);

The Outlaw and His Wife (1918), Starring and Directed by Victor Sjöström (Seastrom);

Starring “Jack”: See the 1920 Silent Picture Classic of Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde;

Robert Wiene’s The Cabinet of Dr. Caligari (1920);

Buster Keaton’s One Week (1920);

D. W. Griffith’s Way Down East (1920);

F.W. Murnau’s Nosferatu (1921);

The Kid (1921), Charlie Chaplin’s First Feature as Director;

Fritz Lang and Thea von Harbou’s First Pictures Featuring the Evil Genius, Dr. Mabuse: Dr. Mabuse, der Spieler, Teil I (Dr. Mabuse, the Player, Part I); and

Dr. Mabuse, Teil II: Inferno (Dr. Mabuse, Inferno, Part II, both 1922, released one month apart) with English subtitles;

James Cruze’s The Covered Wagon (1923);

John Ford’s The Iron Horse (1924);

Charlie, in The Gold Rush (1925);

Lon Chaney, in The Phantom of the Opera (1925);

King Vidor, Laurence Stallings, and Harry Behn’s The Big Parade (1925), Starring Gilbert and Adore!

Buster Keaton’s The General (1926);

John Ford’s 1926 Western, 3 Bad Men;

Barrymore and Astor in Don Juan (1926);

When a Man Loves (1927), Starring “Jack” and Dolores Costello;

Josef von Sternberg and Ben Hecht’s Underworld (1927), the First American Gangster Picture;

Alfred Hitchcock’s The Lodger (1927);

“Wild Bill” Wellman’s Restored, Classic Silent Picture, Wings (1927), One of the First Two Best Picture Oscar Winners;

F.W. Murnau’s Sunrise: A Song of Two Humans (1927, One of the First Two Best Picture Oscar Winners);

Fritz Lang and Thea von Harbou’s Dystopian Science Fiction Epic, Metropolis (1927), the Greatest S/F Picture Ever, Plus Its Soundtrack Suite;

Frank Borzage and Austin Strong’s Seventh Heaven (1927);

Garbo and Gilbert in Love (1927);

Samson Raphaelson, Alfred A. Cohn, Jack Jarmuth and Alan Crosland’s The Jazz Singer (1927), the First-Ever Talkie, Starring Al Jolson, by Warner Brothers;

King Vidor’s The Crowd 1928;

Bessie Smith in St. Louis Blues (talkie, short, 1929);

John Wayne, in His First Starring Role in an “A” Picture, Raoul Walsh’s Western Epic Talky, The Big Trail (1930)”;

Fritz Lang & Thea von Harbou’s First Talkie: M: Eine Stadt sucht einen Mörder (1931) (M: A City Searches for a Murderer);

Paul Robeson in Eugene O’Neill’s The Emperor Jones (talkie, 1933);

"John Wayne Movie: See over 3 Hours of Foreign Legion Action! Classic Early 1930s Serial, The Three Musketeers;

The Man Who Knew too Much (1934): The Original Version of the Early Hitchcock Classic;

John Ford’s Judge Priest (1934), Starring Will Rogers, with Hattie McDaniel;

The Fighting Westerner (1935);

Kate Hepburn in the Super Chief’s Quality Street (1937);

Cary Grant and Roz Russell in Ben Hecht, Charles MacArthur, and Howard Hawks’ His Girl Friday (1940);

Zero’s Since You Went Away (1944);

Orson Welles’ The Stranger (1946);

The Lethal Lure (1946);

William Dieterle’s A Portrait of Jennie (1948);

Jules Dassin, Albert Malz, and Malvin Wald’s The Naked City (1948), Plus Music;

Robert Wise and Abraham Polonsky’s Odds against Tomorrow (1959) Antonioni’s Blow-Up (1966);

Lee Marvin as Sergeant Ryker (1963/1968); and

Paul Newman, in Fort Apache, the Bronx (1981).