Cynthia McFadden is a pro-black supremacist flunkie at nbc news (O.J. Simpson)

By Grand Rapids Anonymous
friday, april 12, 2024 at 7:30:00 p.m. edt

GRA: You’re a rarity at nbc, these days, if you’re White and reporting on air at negro nightly news (nnn), but if you are, you’d better tow the company line on blacks and repeat often, how racist all Whites and cops are against them.

Today, McFadden, an older White female, who’s ballooned up into Kathleen Turner territory, weight-wise, did a retrospective on O.J.Simpson, describing him as “charismatic,” showering him with adulation. You’d never have known Simpson had killed two White people—and she barely mentioned it.

At the end, Lesta Holt, a racist negro instigator—who should come out of the noi closet and wear a bowtie—asked McFadden, “what has not changed in the legal system, since the O.J. trial?”

[N.S.: Note the moral reversal, long since institutionalized in “American” society: A heinous black criminal is treated as if he were a victim of “racism.”]

She responded, “blacks are still being targeted by police, as they were in the 1990s.”

Anyone here knows that blacks are literally getting away with more murders, carjackings, robberies and rapes than anytime in our history. There are fewer arrests and very few actual convictions. In most major cities, there’s a less than 30-40% success rate of police and district attorneys clearing black crimes from the time they are first reported.

I don’t have to explain WHY blacks are “targeted”—to except to idiots like McFadden.

Cynthia McFadden, another one to ignore on television.

--GRA


N.S.: During the mid-1990s, I had watched Ted Koppell religiously on Nightline. (In 1997, I met and got hitched with The Boss. I believe I also tired of Koppell’s pc routine.). He was pc, but at least he gave the impression of being intelligent. In 2005, the suits—abc news president David Westin—fired him from the show, and replaced with the troika of british pakistani Martin Bashir, who had done a documentary on child molester Michael Jackson; an extremely tall White guy named Terry Moran; and McFadden.

I have no memories of Terry Moran, which is probably a positive. Cynthia McFadden immediately proved to be painfully stupid. But it was Martin Bashir who weaned me off of the show. He interviewed racist, black actor Terrence Dashon Howard, who had just starred in the obscene movie hustle and flow (2005)—which Bashir asserted was about a black man who pimped his own sister.

Bashir emphasized that Howard was a chemical engineer, though Howard provided no signs of intelligent life.

Bashir apologized to Howard for falling into “lazy stereotypes,” as if there were nothing wrong with a man pimping his own sister. Never mind that the “stereotype” was in the movie!

Well, that did it for me with Nightline.

I later tried watching hustle and flow, and made it through 15-20 minutes. The protagonist did not pimp out his sister, but his White girlfriend. Why did Bashir lie about that? Either it was to hide the act’s racist character, or because he had never seen the movie, and instead relied on a dishonest assistant’s notes.

The White girlfriend would turn tricks for her pimp/boyfriend, while he sat in his car and wrote crap lyrics. When she returned to him after each trick, she would be apologetic, saying she had the easy part, while he struggled mightily to produce art.

That was not “keepin’ it real.”

In an expression of racism and decadence, in 2006, the motion picture academy awarded hustle and flow the oscar for best original song for “it’s hard out here for a pimp.”

The song was not a parody.

I make a point of reminding readers how far back America’s degeneration goes, but it goes much further back than 2005.

Remember when songs like Mancini and Mercer’s “Moon River” won the Oscar for “Best Original Song”?

(And Breakfast at Tiffany’s (1961) was already morally compromised—its two protagonists were both prostitutes! Note, however, that while hustle and flow apparently took itself seriously, all sorts of pranks, and layers on top of layers of irony were in play in Tiffany’s. Still, its star never understood why many of her fans considered “Holly Golightly” her greatest character. Audrey Hepburn was every inch a lady, and thus did not think much of having played a prostitute.)



“it’s hard out here for a pimp,” by, oh, who cares?!




“Moon River,” from Breakfast at Tiffany’s (1961): Music by Henry Mancini and Lyrics by Johnny Mercer