True Confessions and Hidden PC: Kea Fiedler, Part II

"Remembering Kea Fiedler: Disappearing Murder in NY" (Part I).]

By Nicholas Stix
Updated at 1:50 A.M., on tuesday, May 14, 2024

Time was, when a black New Yorker confessed to a murder, if he could answer basic questions about the crime, which other people couldn’t, police and prosecutors took him at his word. However, in 1963, detectives Edward Bulger and DiPrima allegedly induced a simple-minded black man, George Whitmore, Jr., 19, to make false confessions to the “career girls” rape-murders of Emily Hoffert and Janice Wylie, 21, committed on August 28, while Martin Luther King Jr. was giving his most famous speech at the Lincoln Memorial, and to another murder, in Brooklyn.

“Liberals” jumped on the notion not that in certain rare cases innocent blacks were being coerced into confessing to heinous crimes, but insinuated that racist White cops were doing this all the time.

As retired Chicago cop, Martin Preib (Crooked City), likes to say, black criminals love to talk about their crimes.

The “liberals” (socialists/communists/whatever) had no evidence whatsoever to back up their beliefs, but what did they care?

Condemning successful White police detectives has since become a media cottage industry.

The real killer turned out to be a White Puerto Rican convict and junkie, Richard “Ricky” Robles, 22. Liberal TV figures Abby Mann and Joseph Sargent turned the case into the Emmy-Winning Marcus-Nelson Murders TV movie (1972), and the “realistic” TV dramatic series about an ugly, tough, but liberal-to-the-bone NYCPD detective, Lt. Theo Kojak, Kojak. Now there was the demand for believing that heinous, confessed, black criminals were really just “gentle giants.”

(Telly Savalas had become famous playing sadistic psychopaths, especially in The Birdman of Alcatraz (1962). However, he decided he wanted to soften his image. Although Savalas played one last psycho killer in The Dirty Dozen (1967), he had begun the campaign of softening his image in The Battle of the Bulge in 1965, as the tough yet kind tank sergeant, who falls in love with the belgian beauty played by Pier Angeli, who was star-crossed, both in the movie and in real life.)

My recollection is that nobody spoke of Kojak as “liberal,” but this was part of what became a liberal m.o. A media figure would be presented as gruff and non-pc, but this was just a disguise for pc sentiments.

“Judge Judy” Sheindlin is presented as if she were anything but pc, but in reality she is pc to the bone, and she typically immediately makes up her mind whom she likes and whom she’s got it in for. Once, she had a case of a White hispanic woman vs. her White non-hispanic husband, with two homosexuals who lived next door testifying against the husband. They were very proud of having called the police on the normal man, and Sheindlin was very supportive of them. Had they witnessed the husband beating his wife? Not at all. They had allegedly heard him yell at her.

If yelling at one’s spouse were a crime, then most of the married people in America would be in jail.

Another time, a moslem couple was one of the litigants. They claimed to have had a marriage-like ceremony in this country. Sheindlin said nothing negative, in spite of the fact that one was already married, and the ceremony was to avoid committing the crime of bigamy.

A third time, Sheindlin took an immediate dislike to a young White man. When he told his story, which sounded completely plausible to me, she all but called him a liar. In fact, she demanded he lie, saying, “You’d better come up with a better story.” He responded that what he’d said was the truth, and he had no intention of changing his story. She ruled against him, but at least he didn’t let her bully him into lying.

In New York, there has long been a tv “journalist” named “Lionel” (Michael William Lebron) who is pc to the bone, but who has a sarcastic manner, so that he passes as non-pc.

When President Trump was running for office the first time, he once said, “I don’t have time for political correctness.” But of course he has time for it! When he owned the Miss USA and Miss Universe beauty pageants, Trump used to rig the contests through choosing who would sit on the judges’ panels. He hired, for example, obnoxious, stupid, militant homosexualist Perez Hilton, to ensure that no devout Christian White girls ever won. One year, when a Christian girl was a finalist, Hilton viciously harassed the girl. Trump did nothing. She lost.

Once Trump won the election for the first time, he sickly pardoned all manner of black drug kingpins, and spoke of a “Platinum Plan” for blacks.

Although in reality, blacks were routinely committing savage, racist rapes and murders against Whites, tv producers and “scholars” turned the reality upside down. As my old friend and partner-in-crime, David in TN has recounted, Winston Moseley, the racist, black murderer-rapist of Kitty Genovese (1964) and numerous other White women (he did a dry run against a black woman), was depicted as a White man in a 1970s' TV movie. In another hoax story about urban indifference, black criminals were bleached White in communist Larry Peerce’s The Incident (1967), which was set in a New York City subway car. Marxist fake scholar, William Ryan, wrote the book-length rant, Blaming the Victim (1972), on behalf of violent, black career criminals.

Over 40 years later, in the fraudulent Ken Burns “documentary,” The Central Park Five, leftwing, fake “social psychologist” Saul Kassin confidently assured viewers that there’s nothing easier than coercing innocent suspects into confessing to crimes.