Friday, September 08, 2023

TCM’s Film Noir of the Week Saturday Night-Sunday Morning at Midnight and 10 a.m. ET is Alfred Hitchcock’s The Wrong Man (1956) with Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone and Nehemiah Persoff (Videos, Videos, Videos!)

By David in TN
friday, september 8, 2023 at 5:25:00 p.m. edt

TCM’s Film Noir of the Week Saturday Night-Sunday Morning at Midnight and 10 a.m. ET is Alfred Hitchcock’s The Wrong Man (1956) with Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone and Nehemiah Persoff.

Film Noir Guide: “Fonda, a bass player at New York’s Stork Club, is identified as the holdup man who has been robbing local business establishments. Stone is the detective who traps Fonda by having him duplicate a note written by the real stickup man—his printing is similar and he misspells the same word. Quayle is the sympathetic attorney whose faith in the unfortunate musician compensates for his inexperience.”

“Fonda’s wife (Miles) stands by her man until she cracks under the pressure and winds up a zombie in a mental institution. Persoff plays Fonda’s brother-in-law, who puts up the seven thousand dollar bail money.

“Based on a true story, The Wrong Man is a bleak tale that may be too much for some sensitive viewers to sit through—it’s that depressing and seemingly hopeless. Despite the almost unbelievable coincidences that have to take place for the story to work, Hitchcock, in his opening narration, swears it’s all true. Fonda gives a standout, low-key performance, and Miles is sensational as his neurotic, guilt-ridden wife.”

David in TN: Eddie Muller finally has a classic. While “based on a true story,” there was more evidence to clear him than in the movie. The events took place in 1953 and it was filmed in May, 1956. Note how a subway trip from the 5th Avenue Subway station (per IMDB) to 7420 Roosevelt Avenue, Jackson Heights, Queens looked after midnight 67 years ago. The restaurant where Fonda has breakfast was at the same address as the subway station.

The home of Manny and Rose Ballestrero was (per IMDB) at 78th Street Jackson Heights. In 1956, a White working-class family could live there. According to wikipedia White Flight started soon after.

N.S.: The Wrong Man was an entry in the new genre of pseudo-documentary crime movies founded by Jules Dassin, Albert Malz, and Malvin Wald, with their classic crime picture shot on the streets of New York City, The Naked City (1948). The movie starred Barry Fitzgerald, Howard Duff, and Don Taylor, and inspired Herbert ("Bert") B. Leonard to produce the legendary TV series, Naked City (1958-1963), which was likewise shot on the streets of New York. (Leonard also produced the equally legendary series, Route 66 [1960-1964], which was shot along the path of the famous highway.)

I must respectfully disagree with the judgment of my old friend and partner-in-crime, David in TN. I saw The Wrong Man 50 years ago, and was underwhelmed, even though it starred one of my favorite actors, Hank Fonda (Mr. Roberts).

The movie bombed, the genre died with it, and Hitchcock would never again work with Fonda.

I hope otherwise, but suspect that The Wrong Man inspired Fonda to produce a movie the following year that I can only describe as evil: 12 Angry Men.

In 12 Angry Men, Fonda played the lone juror who took on 11 fellow jurors who were ready to convict and send to the electric chair a young Puerto Rican man for stabbing his father to death.

The movie is evil, because the defendant was clearly guilty as hell, and it promoted the blood libels of author-co-producer (later creator of the multi-Emmy winning TV show, The Defenders, 1961-1966), Reginald Rose, that the presumption of innocence is a get-out-of-jail-free card, in cases of guilty-as-hell hispanic and black defendants, and that jurors have carte blache to violate laws and regulations which apply to the jury room. More than any other media figure, Rose contributed to the destruction of the American legal system.

Of related interest:

The Naked City: An Internet Resource, Including Jump the Shark Rescue!”


Previously, at WEJB/NSU, on Reginald Rose:

“On September 20, 1954, Dramatic History was Made, with the Only Broadcast of the Original, 50-Minute, Reginald Rose Teleplay, 12 Angry Men (Complete, Restored Video)”;

“Stacking the Deck: An Analysis of the First, TV Version of Reginald Rose’s Legendary Play, Twelve Angry Men, and Rose’s Dirty Little Secret”;

12 Angry Men: A Revisionist View (Reginald Rose’s War on the American Legal System);

“See One of the Greatest Courtroom Dramas Ever Performed on Live TV: An Expert Restoration of Part One of Reginald Rose’s Two-Hour Pilot The Defender, Starring a Sensational Ralph Bellamy, with a Young William Shatner, Martin Balsam, and ‘Steven McQueen’” (Video);

“LIVE TV RESTORATION: Studio One: The Defender, Part Two.” (Video);

“David in TN and Nicholas Stix: More on The Defender;

“Somebody Once Knew How to Write Speeches: Officers of the Court”; and

“Here are some of the unreleased episodes of The Defenders! (Videos).”



7 comments:

Anonymous said...

I know about movies(or I thought I did)and then N.S and David start imparting SOME REAL knowledge and opinion and I walk away from the college class they're in,back down the hall and across the street to the freshman class in high school.Always interesting to read.

--GRA

David In TN said...

Nicholas,

Your point is well taken. I like the on location shooting, seeing how the area looked 1953-56. Hitchcock claimed to "fear the police" and liked the "innocent man, falsely accused" trope.

Another in this vein is Hitchcock's I Confess (1953) with Montgomery Clift as a priest tried for murder after hearing the confession of the actual killer, a German expatriate played by O.E. Hasse. It didn't do much box office either. Hitchcock, who claimed to be a "good Catholic," lamented that non Catholics "didn't understand it."

TCM shows I Confess a lot. It's on this Sunday at Noon ET.

Anonymous said...

Always found "12 Angry Men" disgusting. It celebrates a jury disregarding clear evidence of guilt and unjustifiable jury nullification. There are circumstances where the government fails to meet it's burden or the conduct or crime charged are rarely, absurd to the point nullification is appropriate and a defendant should be released. This contrived instance was complete nonsense. This movie is an invitation to anarchy.

Anonymous said...

The "docu-drama" really began with THE HOUSE ON 92ND STREET(1945), which must be one of the most under-appreciated movies of all time considering the influence it's had (and it's a terrific thriller besides- the surprise of the mastermind's identity not only still packs a wallop, but now seems quite ahead of its time!). Producer De Rochemont was also co-creator of the famed MARCH OF TIME newsreels. https://en.wikipedia.org/wiki/Louis_de_Rochemont -RM

David In TN said...

TCM has a William Friedkin tribute on Thursday Night. Friedkin died last month just short of his 88th birthday.

The French Connection (1971), Friedkin's most famous film, with Gene Hackman and Roy Schieder, is shown at 8 p.n. ET. To Live and Die in L.A. (1985) with William Petersen and William Dafoe follows at 10 p.m.

The latter has Secret Service agent (Petersen) going against counterfeiters led by Dafoe. The story has the Secret Service agents as ruthless as the counterfeiters.

David In TN said...

TCM's Film Noir of the Week Saturday Night-Sunday Morning at Midnight and 10 a.m. ET is Anatole Litvak's Out of the Fog (1941) with John Garfield, Ida Lupino, Thomas Mitchell, Eddie Albert, John Qualen.

Film Noir Guide: "Garfield is sensational as an ambitious New York hood, a sociopath with no redeeming qualities, operating a small protection racket along the piers of Brooklyn. Switchboard operator Lupino, tired of being 'ordinary,' falls for the flashy hood and plans to run off to Cuba with him even though she knows he's been terrorizing her father (Mitchell) and his fishing partner (Qualen)."

"Albert is Lupino's uninteresting boyfriend, whom she drops when Garfield shows up flashing his smile and his wallet. Mitchell and Qualen bring charges against Garfield but plot their own unique revenge after losing in court."

"The acting is exceptional, with Garfield taking top honors in this early noir entry. Leo Gorcey (Slip Mahoney of the bowery Boys films) plays a bartender, and Bernard Gorcey (Leo's real-life pop, who played Louie Dumbrowski in the same series) is a card-playing customer."

David In TN: Film Noir Guide identifies a Memorable Noir Moment were sensitivity training is required when "Garfield tells Mitchell and Albert that 'Lupino is free, white and 21, and makes her own decisions.'"

David In TN said...

TCM has another good one early Sunday Morning at 4 a.m. ET, Richard Fleischer's The Last Run (1971) with George C. Scott, Trish Van Devere, Tony Musante, and Colleen Dewhurst.

This was George C. Scott's first film after Patton. Scott plays a former driver for the mob living in Portugal. He gets an offer to drive a mob assassin (Musante) who has escaped from Spanish prison, but finds things complicated.

Scott called it "a kind of Bogart part," which he had long wanted to play. Scott and Van Devere fell in love eventually marrying, while making the movie after Scott's then wife (Dewhurst) left the set. Fleischer said it was "life imitating art."