Other Complete, Silent Classics (with a Couple of Exceptions) Available at WEJB/NSU:
Georges Méliès’ A Trip to the Moon (1902)
The Great Train Robbery (1903);
C.B. DeMille’s The Squaw Man (1914);
D.W. Griffith’s The Birth of a Nation (1915);
D.W. Griffith’s Intolerance: Love’s Struggle Through the Ages (1916);
Charlie Chaplin’s Shoulder Arms (1918);
Starring “Jack”: See the 1920 Silent Picture Classic of Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde;Robert Wiene’s The Cabinet of Dr. Caligari (1920);
Buster Keaton's One Week (1920);
D. W. Griffith’s Way Down East (1920);
F.W. Murnau’s Nosferatu (1921);
The Kid (1921), Charlie Chaplin’s First Feature as Director;
Fritz Lang and Thea von Harbou’s First Pictures Featuring the Evil Genius, Dr. Mabuse: Dr. Mabuse, der Spieler, Teil I (Dr. Mabuse, the Player, Part I); and Dr. Mabuse, Teil II: Inferno (both 1922, released one month apart) with English Subtitles;
James Cruze’s The Covered Wagon (1923);
John Ford’s The Iron Horse (1924);
Charlie, in The Gold Rush (1925);
Lon Chaney, in The Phantom of the Opera (1925);
Buster Keaton’s The General (1926);
John Ford’s 1926 Western, 3 Bad Men;
Alfred Hitchcock’s The Lodger (1927);
F.W. Murnau’s Sunrise: A Song of Two Humans (1927);
Fritz Lang and Thea von Harbou’s Dystopian Science Fiction Epic, Metropolis (1927), the Greatest S/F Picture Ever, Plus Its Soundtrack Suite;
Frank Borzage and Austin Strong’s Seventh Heaven (1927);
St. Louis Blues (1929); and
Fritz Lang & Thea von Harbou’s First Talkie: M: Eine Stadt sucht einen Mörder (1931) (M: A City Searches for a Murderer).
1 comment:
Al Jolson is a forbidden topic now? Black face and all that.
Let the name of Jolson be stricken and unmentioned forever. As with Moses.
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