Wednesday, July 26, 2023

See One of the First Motion Pictures, 1903’s The Great Train Robbery, for Free, and without Commercial Interruption, at WEJB/NSU!

Re-posted by N.S.

163,306 views Dec 11, 2017

“For more information and to download this film, please visit https://www.loc.gov/item/00694220/

"Considered the first narrative film, The Great Train Robbery was directed and photographed by Edwin S. Porter, a former cameraman for the Thomas Edison Company.

"Primitive by modern standards, the 10-minute action picture depicts 14 distinct scenes filmed at various locales in New Jersey intended to represent the American West.

"‘Broncho Billy’ Anderson, the screen’s first Western star, played several roles in the film, including a bandit and a train passenger. Audiences were thrilled and terrified to watch a gunman in medium close-up fire directly at the screen in the film’s final scene ... although Porter suggested to exhibitors it could just as easily be shown at the beginning of the film instead. Named to the National Film Registry in 1990.”





Other Complete, Silent Classics (with One Exception) Available at WEJB/NSU:

Georges Méliès’ A Trip to the Moon (1902)

C.B. DeMille’s The Squaw Man (1914);

D.W. Griffith’s The Birth of a Nation (1915);

D.W. Griffith’s Intolerance: Love’s Struggle Through the Ages (1916);

Charlie Chaplin’s Shoulder Arms (1918);

Starring “Jack”: See the 1920 Silent Picture Classic of Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde;

Robert Wiene’s The Cabinet of Dr. Caligari (1920);

Buster Keaton's One Week (1920);

D. W. Griffith’s Way Down East (1920);

F.W. Murnau’s Nosferatu (1921);

The Kid (1921), Charlie Chaplin’s First Feature as Director;

Fritz Lang and Thea von Harbou’s First Pictures Featuring the Evil Genius, Dr. Mabuse: Dr. Mabuse, der Spieler, Teil I (Dr. Mabuse, the Player, Part I); and Dr. Mabuse, Teil II: Inferno (both 1922, released one month apart) with English Subtitles;

James Cruze’s The Covered Wagon (1923);

John Ford’s The Iron Horse (1924);

“See Charlie, in The Gold Rush (1925).”

Lon Chaney, in The Phantom of the Opera (1925);

Buster Keaton’s The General (1926);

John Ford’s 1926 Western, 3 Bad Men;

Alfred Hitchcock’s The Lodger (1927);

“Wild Bill” Wellman’s Restored, Classic Silent Picture, Wings (1927), One of the First Two Best Picture Oscar Winners;

F.W. Murnau’s Sunrise: A Song of Two Humans (1927);

Fritz Lang and Thea von Harbou’s Dystopian Science Fiction Epic, Metropolis (1927), the Greatest S/F Picture Ever, Plus Its Soundtrack Suite;

Frank Borzage and Austin Strong’s Seventh Heaven (1927); and

Fritz Lang & Thea von Harbou’s First Talkie: M: Eine Stadt sucht einen Mörder (1931) (M: A City Searches for a Murderer).

1 comment:

Anonymous said...

"They wanted to depict the old West"--HONESTLY,I might add--unlike today,where subject matter like bLACK crime is treated hagiographically,both in the news and on police shows(Whites commit the crimes--blacks are cops,lol.)What a difference 120 years makes.

--GRA