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Tuesday, December 15, 2009

NBC’s Law & Order: Anti-White Propaganda in the Culture War

By Nicholas Stix

Middle American News
September, 2003

It’s 10 p.m.; do you know where the truth is? While the mainstream, socialist news media lurch from one embarrassing scandal to another, social engineers operate with impunity, using “realistic” entertainment programs as propaganda tools.
Consider NBC’s Law & Order. L&O’s liberal producer, Dick Wolf, controls a stable of five crime-oriented shows (also Law & Order: Special Victims Unit, Law & Order: Criminal Intent, L.A. Dragnet and Crime & Punishment), making him one of the most powerful men in Hollywood.

For years, Law & Order, which is filmed in Manhattan, advertised its episodes as being “ripped from the headlines,” a claim Wolf and star Jerry Orbach still make in interviews. But instead of depicting reality, Wolf’s scriptwriters take high-profile crimes committed by blacks, and replace the bad guys with whites, and invent white racist monsters that bear no relation to anything seen in New York during the past 100 years. And so, while according to NYPD crime reports, over 89 percent of suspects in violent crimes are black or Hispanic, L&O presents a looking-glass world in the grips of a white crime wave.

In “Teenage Wasteland,” an episode that originally aired on February 7, 2001, the true case of a group of black teenagers who ordered Chinese food, and murdered the delivery man, is turned into a group of middle-class, white kids.

“Myth of Fingerprints” (November 14, 2001) tells of a white, female forensics chief whose years of false testimony has sent many innocent men to jail. One of those innocents was murdered in prison, resulting in the official’s conviction for manslaughter.

“Fingerprints” was clearly based on the real case of former Oklahoma City supervising forensic chemist Joyce Gilchrist, nicknamed “black magic,” based on her longtime success at bringing about convictions. On September 25, 2001, as Ken Raymond reported the following day in the Oklahoman, “Oklahoma City Police Chief M.T. Berry … fired forensic chemist Joyce Gilchrist, whose lab techniques and testimony have been under scrutiny by federal, state and local investigators for several months.

“Gilchrist, 53, was fired for a variety of reasons, including ‘laboratory mismanagement, criticism from court challenges and flawed casework analysis,’ according to a police statement.” (Registration is required; see the Oklahoman’s Joyce Gilchrist file.)

For years, Gilchrist’s critics claimed she had falsified evidence and given false testimony, which caused 23 men to be sentenced to death, eleven of whom were executed. Note, however, that Joyce Gilchrist is black, and unlike the fictional white official, has never been prosecuted.

Seven months after the October, 2002 Washington, D.C. sniper case was closed with the arrest of suspects John Muhammad and Lee Malvo, L&O dramatized the case, but with the shooter as a white man! (“Sheltered”; May 14, 2003.)

“Smoke” (May 21, 2003) opens with the death of a child, whose adoptive father, a famous entertainer, had dropped him, while dangling him from a hotel room window. The detectives eventually discover that the entertainer would also arrange for underage boys to accompany him to his mansion, where he would sexually violate them.

When I told a not particularly media-savvy neighbor who is the mother of four small children that story line, she immediately said, “Michael Jackson!” But on L&O, the character is depicted as a WHITE comedian.

Remember the Danny Almonte case? Almonte was the 14-year-old Dominican fraud who—through the connivance of his father, Felipe de Jesus Almonte, and Bronx-based, Dominican Little League coach Rolando Paulino—passed himself off as a 12-year-old, in order to play in the 2001 Little League championships. But in “Foul Play” (May 1, 2002), the coach magically becomes a blond-haired, white man, who is somehow convicted of a murder committed by the player’s father.

L&O’s creative team must read some interesting publications, since many of their “ripped from the headlines” stories never happened. Consider their obsession with non-existent, murderous white supremacists, whom they depict as besieging Manhattan.

In “Open Season” (November 20, 2002), a William Kunstler-like defense attorney is murdered while celebrating the acquittal of a guilty-as-hell black defendant for shooting a white policeman. The killer, a member of a white supremacist group, then uses his defense attorney to unwittingly pass along information to his co-conspirators, who murder a prosecutor in another state. The defense attorney is charged with aiding and abetting the supremacists, before she is shot by a female supremacist.

Note that the real basis of the episode was the indictment of radical attorney, Lynne Stewart “with helping terrorist conspirator Sheikh Omar Abdel Rahman maintain contact with the outlaw terror organization Islamic Group [IG] from behind the bars of a federal prison,” as Mark Hamblett wrote in the July 23 New York Law Journal, resulting in the 1997 murder of 62 people by IG in Luxor, Egypt. Sheik Abdul Rahman, is the convicted ringleader of the 1993 World Trade Center bombing. The most serious charges against Stewart were dismissed in July.

In “Prejudice” (December 12, 2001), a racist, white real estate agent progresses from writing a letter to his co-op board, to try and keep an interracial couple out of his building, to flashing a gun at a black colleague, to murdering a black man who beat him to a taxi. Such a case would have been fantastic in 1951, let alone in 2001.

In “Genius” (April 2, 2003), a white, violence-embracing ex-con-writer stabs a white cabby to death. Viewers are then given mixed messages, as the cab driver turns out to be a fugitive, white supremacist racial murderer. In another surreal, L&O touch, ordinary black New Yorkers are repeatedly shown to be so erudite that they are routinely experts on French poetry.

In “Kid Pro Quo” (April 30, 2003), the dedicated director of admissions at a tony private school is murdered by her corrupt, racist boss. The victim sought to get a deserving but poor black girl admitted, but was overridden by the boss, who’d taken a bribe to accept the inferior child of a Jewish pornographer.

And then there’s the homophobia angle. In the real world, Manhattan is, with San Francisco, one of the two most gay-friendly areas in America. But not in L&O’s alternate universe. In “Girl Most Likely” (March 27, 2002), a private school student murders her lesbian lover, in order to hide the fact that she is gay.

Last, but not least, comes xenophobia. In “Patriot” (May 22, 2002), a pale, blonde-haired former special forces officer kills a Moslem immigrant he had surveilled, and whom he suspected of being a terrorist. The prosecutor presents the imaginary patriot as a monster, even as the story suggests that the dead man WAS a terrorist.

Now beginning its fourteenth season, Law & Order, still a top-rated show and perennial Emmy nominee for Outstanding Drama Series, serves in socialists’ culture war against whites. While Dick Wolf has succeeded at endearing himself to black, gay, and Hispanic pressure groups, if he seeks to cause whites to hate other whites, while being more sympathetic towards blacks, he has failed miserably. It is no secret which groups are committing almost all of the violent crimes in New York and other urban areas. All of the propaganda in the world won’t change that reality, or erase the public’s knowledge of it.

13 comments:

ARaceAgainstTime said...

The spin-offs are just as bad.

According to VDARE, in the first season all but one of the perpetrators on SVU were white. And the lone minority perpetrator molested only because he had been molested by a white man when he was young.
http://blog.vdare.com/archives/2008/02/02/law-order-special-hate-whitey-unit/

The only episode of Law and Order I've watched in the last 5 years was the Criminal Intent episode that was ostensibly based on the Duke lacrosse rape case.

I had read this article and was familiar with how Law & Order regularly depicts black criminals as white, but even I wasn't prepared for the double-switcheroo they pulled.

The false accuser wasn't black, but the sympathetic athlete falsely accused of rape was.

In addition, if I remember correctly, the black athlete's father was confined to a wheelchair after having been attacked by a group of (presumably white) guys for defending a woman's honor at a bar.

The only other time I've seen more than 15 seconds of the show was when I was flipping through the channels and I came across a L&O courtroom scene where a black man was on the stand confessing to having committed some white-collar crime. I couldn't believe what I was seeing, so I kept watching. Sure enough, within 30 seconds the black man revealed that he had been coerced into committing the illegal acts, and the camera shifted to two white guys sitting in the back row of the courtroom. I immediately changed the channel.

Nicholas Stix said...

I appreciate that you’ve long had a link to this article at your blog.

Socialist Michael Kinsley has written that many powerful (white) women in his world—i.e., socialist/feminist—are secretly addicted to this show. (But he offered no explanation, nor did any of the commenters at Slate.) In a similar vein, someone I came across yesterday had asked how Dick Wolf managed to create a police show that men hate. And yet, I can’t come up with a satisfactory answer. If it were a matter of publicly celebrating a show in which the criminals are virtually all white men, the answer would be easy: Educated white women are terrified of black men, who pose the greatest danger to them, and condemn and harass heterosexual white men because … they can. But in the privacy of their own homes, they don’t have to lie to themselves.

Is it possible that, even in their heart of hearts, they lie to themselves, and thus vicariously enjoy watching the prosecution of an endless line of “white males”?

ARaceAgainstTime said...

It's not just women who watch back-to-back Law and Order reruns on TNT by themselves. I also know men who do it.

I don't know if it's true, but I read somewhere that the early seasons of Law and Order did have a number of episodes featuring black criminals, but that they stopped producing these kids of episodes because they found white people didn't enjoy watching them.

I can understand this.

Educated white people aren't interested in watching a TV program that deviates from the standard socialist/feminist stance on race relations. Because of the strong desire to keep their private beliefs consistent with their publicly professed beliefs, they wouldn't watch a TV show that accurately portrays black-on-white violence.

There was an episode in the last season of The Shield that presented whites as targets of violence in the multicultural city of Los Angeles. Here's a description of the episode:

"Farmington is hit with black-on-white violence, and an Anglo rock singer is killed when hit by a cement block dropped by someone in her predominately Hispanic apartment building."
http://www.tvrage.com/The_Shield/episodes/591656/07x02

Minority-on-white violence is just not something you're used to seeing on TV shows, and you get confused about how you should react to it. Even I got very uncomfortable watching this particular episode.

ARaceAgainstTime said...

I was bedridden with a stomach bug most of the weekend, and I watched television almost nonstop. While I was watching various movies and sports games, I would flip to Law and Order during the ads, and I was able to piece together the plots of several episodes.

Not only does Law and Order over-represent white people as criminals, but it actively conditions white people to not think of blacks as criminals.

In several episodes the initial suspect was black, but the real criminal turned out to be white.

In one episode, a white girl was found mauled by a tiger and shot to death. The previous day, she had hung out with a black rapper who owned a tiger. Was the black rapper guilty? No, of course not. Turns out it was a different tiger that mauled her. The second set of suspects was two animal smugglers, one white and one black. But at the very end of the episode, it was revealed that the black smuggler was actually an undercover officer. The white smuggler was the lone murderer.

In another episode, a white woman was found shot to death inside a car a black thug broke into. Did the black thug shoot her? No, of course not. The woman’s white husband did.

I saw three episodes in which the criminal was black, but in each case the suspect was portrayed sympathetically and the crime was shown to be a justified reaction to white racism or oppression.

In one episode, a black transsexual woman tried to murder a white man who was opposed to letting his 13-year-old son begin "transitioning" into a woman. The black woman was presented as the real victim. By the end of the episode, the white father not only decided to let his son begin taking female hormones, but he decided the black transsexual was justified in trying to kill him (since he was killing his son/daughter’s soul). The father petitioned to have the attempted murder charges dropped, and the detectives shared this opinion.

In another episode, an African war criminal held children hostage in a church after his bid for asylum was denied. The criminal was presented as a victim, and his actions were presented as a combined result of an uncompassionate immigration system and stereotype threat.

In a third episode, a gang of black Harlem thugs murdered a white man they mistook for a police informant. The murder was presented as a justified reaction to recent incidents of police brutality, and the attackers got a slap on the wrist.

Anonymous said...

dick wolf is my hero! racists no longer watch law & order...that must leave more viewers for fox news...

Nicholas Stix said...

Race, this is surreal (your third comment). Could it be that the writers are in some sort of "Most Ridiculous Story Line of the Week" competition?

Glaivester said...

In all due fairness, race, in the episode with the African war criminal (if it is the SVU episode I think it is), the bad guy is another black African war criminal and is not portrayed as anything but a monster.

Anonymous said...

There was a Law & Order episode on tonight (4/5/2011) that basically made it 'morally' ok for Black men to rape white woman.. due to 'past injustices'.

It was so obvious where the story was going within the first 5-10min. "Hate the white man."

The defendant, a 50yr old black guy.. was accused of raping a white woman. Turned out he was the wrong guy.. it was ANOTHER black guy. So after 15min of listening to the defense lawyer bash the white woman for 'profiling black men'.. the 2nd accused defended admitted to raping her.

But the thats too boring for the sick twisted mind of Kosherville. Turns out the rape victims Father was a 'Klansmen' in the 60's who beat up and raped the accused defendants Black MOTHER.

The last 15min of the show was all about the defendant justifying his rape.. due to 'getting revenge' on the Klansmen daughter.

I've actually heard black kids joke around online about this SAME topic. Making comments like "i think blacks should be allowed to rape white woman because of slavery"

This is how the black community thinks. The entire show was focused on hitting that demographic, and supporting it.

Anonymous said...

Ditto case of rich white couple who kept Haitian kid as indentured servant. The real story was the couple was African, both NY civil servants in the education field. The young girl was brought from their country with promise of better life. Happened 500 fft from where I live. FBI, guns drawn - the whole 9 yards.

Elmsford, NY

Anonymous said...

Yes let's face it folks, we're now the targets of these bastards who crawled out of their dens from the 60's to profit off this shit. I loathe Wolf so much I'd like to punch his lights out. Yeah, I said that, so sue me. My mother defends them and I find her to be just as sorry as other viewers of these idiots. Nobody on any of these shows could play a cop much less be a crossing guard. I find it amusing they hired a foul mouthed comedian, Belzer, and a rapper, Ice T, he did a song called Cop Killer, to be on there. The worst of SVU is the silver spooned bitch Hargitay who looks more like the type to be a Gloria Steinem lawyer suing men. We can only hope that this crud will one day be thrown off the air. Oh yeah, one episode that slammed Limbaugh, Beck, and O' Reilly as they were justifying illegal immigration had a white guy going around killing these immigrants. Just great tv, how will we ever manage without these crap actors, cretins, and Barbie dolls one day?. The Barbie dolls are the women D.A's on SVU who couldn't make it as fashion models.

Anonymous said...

I would not whole-heartedly swallow those statistics the NYPD publishes. They let you know what they want you to know; that is your reality. And even if they were in fact true, it could just be ignoring some crimes.

That said, I am no fan really (and have seen the 'good guys' recently participate in rather underhanded behsviour at least once, wherein the Feds come in even though the guys said it wouldn't happen) and unlike anon above I do not think Wolf is even worth punching.

Anonymous said...

Been watching seasons 12-15 on Netflix lately with the wife. Halfway done with the final season, and we haven't seen a single black criminal, save for the very few who were, of course, later revealed to have been coerced into criminal acts by more evil white men. Aside from that, I believe a couple of episodes were dedicated to a Hispanic gang, but literally every other criminal out of four frickin' seasons was a white person.

This practice really upsets me. I'm glad to see I'm not the only one who's noticed, and that you all aren't afraid to say how offensive it is. Of course, no matter how unrealistic the statistics on this show are, we'd be the racists for pointing it out. Just can't win anymore.

Jon Stein said...

White Jews see non-Jewish white men as a threat. Jews have all the money, Hollywood, & NYC. Of course they're going to portray the white, non-Jewish men as the bad guys.
Jews who are not rich are also victims of the rich Jews, but they're as blind as the white viewers of Wolf's satanic garbage.